“Lenin’s Embalmers,” at Ensemble Studio Theater, will teach you to beware those in seats of power who issue orders that carry the whiff of crazy.

Athol Fugard, the South African playwright, is back telling stories shaped by his country’s tormented racial history. His new play will have its premiere at a theater named in his honor.

Official release from CVS tag: DRUPAL-7--3-0-BETA2
Last updated: March 13, 2010 - 02:10View usage statistics for this release Download Size md5 hash webform-7.x-3.0-beta2.tar.gz 320.2 KB 6152ba9b80f69e4098c5fc14457e1a2e Official release from CVS tag: DRUPAL-7--3-0-BETA2
Last updated: March 13, 2010 - 02:10View usage statistics for this release

The initial release of Webform for Drupal 7. This version of Webform should be fully functional and feature-equivalent to the beta 2 version for Drupal 6.

Official release from CVS tag: DRUPAL-6--1-1
Last updated: March 12, 2010 - 22:40View usage statistics for this release Download Size md5 hash imce_wysiwyg-6.x-1.1.tar.gz 8.55 KB 3fd03f7e05e058d0fbd22e3e6d5573d7 Official release from CVS tag: DRUPAL-6--1-1
Last updated: March 12, 2010 - 22:40View usage statistics for this release

Changes since DRUPAL-6--1-0:

• #508180 by joachim, sun: Added mention to README of needing Image plugin enabled.
• #533168 by suhock, that0n3guy, Niels Hackius: Added support for CKeditor.

“The Demons,” a 12-hour production of a grim Dostoyevsky novel that will be performed only twice, may be the must-see show of the New York theater season.

Selective listings from theater critics of The New York Times.

“Next Fall” is that genuine rara avis, a smart, sensitive and utterly contemporary New York comedy.

Unflattering nickname for Andrew Lloyd Webber's latest musical "Love Never Dies."

Bette Bourne, a drag performer and activist from Britain, recounts his experience at the footlights and on the front lines in “A Life in Three Acts.”

The Red Bull Theater’s muddled production of John Webster’s “Duchess of Malfi” appears in the process of being explored rather than already discovered.

More answers to readers' questions from Marc Robinson, a professor at Yale University.

In interviews after last night's show, many people, black and white, said that while disturbing at times, the play's trafficking in racial stereotypes proved an unexpectedly emotional theatrical experience.

While Jonathan Reynolds’s assault on assumptions about the right to choose abortion is likely too crude to make theatergoers re-evaluate their positions, it did make me reconsider my view of political theater.

The new musical from the fabled songwriting team of John Kander and Fred Ebb wears its halo like a barbed-wire hat.

Andrew Lloyd Webber’s belated sequel to “The Phantom of the Opera” feels as eager to be walloped as a clown in a carnival dunking booth.

Following is the first set of answers from Marc Robinson, author of "The American Play: 1787-2000."

“Neighbors” is a simultaneously overheated and undercooked new play that sacrifices cogency and meaning for pure sensation.

While “Top Secret: The Battle for the Pentagon Papers” offers a cogent, informative peek into a historic chapter in 20th-century journalism, as an evening of theater it is static.

Guns? Check. Explosions? Check. Martin McDonagh is back on Broadway with “A Behanding in Spokane.”

Temperatures rise in “Ghosts” and irony betrays “Sweet Nothings,” as Andrew Lloyd Webber’s “Love Never Dies” opens.